Elizaveta Barsega spent over ten years learning where ceramics is not a
course but daily life: with master potters in Morocco and the Rif Mountains,
in Northern Thailand, in Georgia — ethnographic material research as an
education. In the studio and gallery on Andreasstraße this becomes a
specialty you will hardly find elsewhere in Berlin: bespoke glazes made from
local minerals, wood ash and lava sands.
The pedagogy reverses the usual order: first the history and science of the
material, then the wheel. Multi-week design courses build on theory first;
the teaching team carries academic weight — Viviane Tabach teaches seasonally
at UdK Berlin and is a specialist in clay marbling, Juliane Wallau brings
seven years of sculptural practice.
One unusual access path stands out: complete one of the studio’s online
courses and you receive a free month of physical studio membership — a bridge
from screen to workbench. Less pleasing is the data situation on hours and
prices: they are largely unpublished, and we are filling them in through
conversation.