Sharman Riegger has what has become rare in Berlin’s teaching studios: a
classical three-year apprenticeship — under master ceramist Uwe Löllmann, at
Japanese wood-fired kilns, extended by study residencies in Japan. That
thoroughness shows in the Collective’s course plan on Wollankstraße: the
five-week beginners wheel course breaks the craft into its proper sequence —
wedging, centering, pulling, trimming, handles — rather than simulating quick
wins.
Six people per course at most, taught in German or English (labelled per
course). Alongside Riegger teach Chiu Ching Man, who brings layered
hand-building techniques from a visual-arts degree in Hong Kong, and Kristina,
a practicing psychotherapist and yoga instructor on the team who stands for a
course atmosphere in which mistakes are working material, not a verdict.
Remarkable for the neighbourhood: the studio runs an external firing service —
if you pot at home, you can fire here. Infrastructure generosity like that is
the exception, not the rule.