Ceramic Kingdom’s technical menu reads like the curriculum of a small art
academy: hand-building, wheel, mould making and slip casting, glaze
chemistry, sgraffito — and 3D printing in clay, which barely any other Berlin
teaching studio offers. »Progressive art school« is not a slogan here; it is
the breadth of the programme.
Behind it is Violaine Toth, a French queer artist with exhibitions at Latch
Key and Plantcircle: ornamental work between Arts and Crafts and
retro-futurism, black and transparent glazes, collaborations with tattoo
artists, illustrators and musicians. The space on Reuterstraße understands
itself as an explicitly intersectional safe space — and the Resident Artist
Program gives international artists two to six months of free studio space in
exchange for workshops and talks: the strongest community mechanism of this
research round.
Course reports praise Luis and Mehrnaz for making the physics of the wheel
graspable. On the numbers, honesty is due: prices, group sizes and the
booking path for group classes are unpublished — and one course report
mentions payment details only revealed on site. We are clarifying both in
conversation before this listing moves forward.